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The only time a dead queer woman did not count against a show is if their death didn’t mean they were no longer on the show. Because we’re not at a point yet where it doesn’t count.
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I awarded one point for each of the following achievements: the show had a character on Carmen and Natalie’s Top 100 Queer and Trans Women of Color Television Characters in TV History, I could find an out queer and/or trans actor or writer with a reasonable amount of research, the show being critically acclaimed by mainstream critics, and the show being critically acclaimed by queerstream crirics.Īnd maybe this will be controversial, but despite the fact that sci-fi is the first type of show to claim “everyone dies” in equal amounts, I still removed one whole point for every single dead queer female or non-binary character. (0 = a nameless witness mentions her wife while giving her account to the police and is never seen again, 3 = high-quality storyline, rich character development, no buried gays.) Then they got judged on quality, also on a 0-3 scale. (0 = throwaway lines/my dad wouldn’t have registered it as queer, 3 = more than one main character or 3+ queer characters over the course of the series.) So while I used my own judgement for tiebreakers, to get a general idea of order, I awarded points as follows:Įvery show got 0-3 points based on quantity of queer women characters. I had an overly complicated ranking system, and a very intense, annotated spreadsheet that was maybe entirely unnecessary, but helped me be sure I was putting as many FACTS into this list as I was heart. So honestly even though I think this took longer than writing my final paper for grad school, I had a lot of fun doing this research and seeing how far we’ve come (and how far we’ve yet go to) when it comes to representation. I liked the escape and the magic and the limitless possibilities, and I still do. Sci-fi and fantasy have always been my favorite genres, ever since I was a wee child watching Ghostwriter or Power Rangers. I think the reason is a combination of people who write sci-fi and fantasy already connecting with the “outsider” themes and therefore inherently include more minority groups, we Autostraddle outsiders sometimes being the ones writing said stories, and because it’s likely a little easier to pitch “also there are lesbians” when you’ve already been approved for “a woman sees herself jump in front of a train and then realizes she’s a human clone.” The 200 Best Lesbian, Bisexual & Queer Movies Of All Timeįrom Doctor Who and Star Trek to Buffy and Wynonna Earp, sci-fi has been one of the more consistent places we, as queer people, have been able to find ourselves on TV over the past few decades.LGBTQ Television Guide: What To Watch Now.